The Shepherd and the Shepherdess

1874
(French, 1817–1878)
Sheet: 32.8 x 24.8 cm (12 15/16 x 9 3/4 in.); Platemark: 28.9 x 21.5 cm (11 3/8 x 8 7/16 in.)
Catalogue raisonné: Delteil 122
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location: not on view

Download, Print and Share

Description

Although etching had fallen into disfavor in France, Daubigny began to produce original etchings in the 1840s. The revival of this technique began to accelerate, and in 1862 the Société des Aquafortistes (Society of Etchers) was organized by Alfred Cadart, who was instrumental in publishing many albums of prints. In addition, periodicals such as L'Artiste (The Artist) included original etchings, which also helped to generate interest in the medium. The countryside around Barbizon (a village about 30 miles southeast of Paris) provided a refuge from the urbanization and industrialization of modern life and offered landscape etchers a vast array of scenery—from wild forest to rocky gorges. Daubigny, who wanted to retain the immediacy of the direct observation of nature, used a flat-bottomed boat as a floating studio on the rivers of France in order to capture the momentary effects of light and atmosphere.
The Shepherd and the Shepherdess

The Shepherd and the Shepherdess

1874

Charles François Daubigny

(French, 1817–1878)
France, 19th century

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.