The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560
(Indian, active 1550s–c.1600)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 8.9 x 10 cm (3 1/2 x 3 15/16 in.)
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Did You Know?

Bright gold is visible in areas where the paint has flaked away.

Description

In order to convince the king that he should not have the prince executed solely on the basis of the handmaiden's accusation, the king's seven viziers each tell a story about the actions of a deceitful woman. This painting depicts the opening scene of the story told by the fifth of seven viziers. An adulterous wife has surreptitiously climbed down from her room to caress a man on the street, whom she wants to take as a lover. In the margin of the painting on this page is an inscription written in Persian identifying the name of the artist Shravana.
The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560

Shravana

(Indian, active 1550s–c.1600)
Mughal India, court of Akbar (reigned 1556–1605)

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.