The Cleveland Museum of Art

Collection Online as of March 23, 2024

Nathaniel Hurd

Nathaniel Hurd

c. 1765
(American, 1738–1815)
Framed: 90.5 x 78 x 6.5 cm (35 5/8 x 30 11/16 x 2 9/16 in.); Unframed: 76.2 x 64.8 cm (30 x 25 1/2 in.)

Did You Know?

The artist Copley’s in-laws were consignees for the cargo dumped during the Boston Tea Party.

Description

Hurd was a prominent silversmith and engraver in Boston, and the warm gaze and unforced smile in his portrait by Copley suggest the friendship between the two artists. Hurd's open-collared shirt, as well as the rakishly tilted turban that covers his shaved head in place of a ceremonial powdered wig, create an air of informality that is unusual for a portrait of this time.
  • -1781
    Benjamin Hurd [1739-1781], Halifax, Nova Scotia, by descent to his son, John Hurd
    1781-
    John Hurd, Halifax, Nova Scotia, by descent to his two daughters
    -by 1860
    Daughters of John Hurd [d. by 1860], Halifax, Nova Scotia, to Mrs. Thomas Barry
    By 1860-1869
    Mrs. Thomas Barry [d. 1869], Halifax, Nova Scotia, by gift to Walter Wesselhoeft
    1869-1915
    Walter Wesselhoeft [1838-1920], Cambridge, MA, consigned to the Copley Gallery
    1915
    (Copley Gallery, Boston, MA, sold to the Cleveland Museum of Art)
    1915-
    The Cleveland Museum of Art, Cleveland, Ohio
  • Perkins, Augustus Thorndike. A Sketch of the Life and a List of Some of the Works of John Singleton Copley. Boston: Priv. Print, 1873. Mentioned: p. 17, 75-6
    Bayley, Frank W. The Life and Works of John Singleton Copley: Founded on the Work of Augustus Thorndike Perkins. Boston, MA: Taylor Press, 1915. Mentioned: p. 151-152
    W. H. D. "The Fine Arts: Fine Portrait by Copley." The Boston Transcript, October, 1915.
    The American Art News. 14:23 (March 11, 1916): 1-10. Reproduced: p. 5
    "Clevel'd Gets Early Am'ns." The American Art News. 14:24 (March 18, 1916): 1-8. Mentioned: p. 1
    "The Inauguration." The Bulletin of the Cleveland Museum of Art. 3:2 (July, 1916): 1-24. Reproduced: opposite p. 1
    Bell, Hamilton. "Early American Portraits at the Cleveland Museum of Art." The American Magazine of Art. 7:12 (October, 1916). Mentioned: p. 484-5; Reproduced: p. 485
    Cleveland Museum of Art. An Appreciation of Copley's "Nathaniel Hurd": John Huntington Collection. Cleveland, OH: Cleveland Museum of Art, 1918.
    "Special Exhibition Cabinet." The Bulletin of the Cleveland Museum of Art. 5:1. (January 1918). Mentioned: p. 3 25136158
    Dunlap, William. A History of the Rise and Progress of the Arts of Design in the United States. 1. Boston: C.E. Goodspeed & Co, 1918. Mentioned: p. 172-4; Reproduced: opposite p. 173
    "Report of the Museum's Second Year." The Bulletin of the Cleveland Museum of Art 5, no. 6/7 (1918): 69-79. Mentioned: p. 71 25136208
    Clearwater, Alphonso Trumpbour, and C. Louise Avery. American Silver of the 17th and 18th Centuries: A Study Based on the Clearwater Collection. New York: Metropolitan Museum of Art, 1920. Reproduced: fig. 101
    "Early Portrait Study by Copley." Art News. 22:19 (February 16, 1923). Reproduced: p. 9
    L. P. "Portrait of Nathaniel Hurd by Copley." The Bulletin of the Cleveland Museum of Art. 10:3 (March 1923). Mentioned: p. 39-40
    "When Copley Portrayed an Early Craftsman." Art News. (June 9, 1923). Reproduced: p. 4
    National Collection of Fine Arts (U.S.), Washington Loan Exhibition Committee. Exhibition of Early American Paintings, Miniatures and Silver. Washington, D.C.: National Gallery of Art, 1925. Reproduced: p. 80
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1925. Mentioned: p. 7-8; Reproduced: p. 8 archive.org
    Dow, George Francis. The Arts & Crafts in New England, 1704-1775; Gleanings from Boston Newspapers Relating to Painting, Engraving, Silversmiths, Pewterers, Clockmakers, Furniture, Pottery, Old Houses, Costume, Trades and Occupations, & C... Topsfield, MA: Wayside Press, 1927. Mentioned: p. 8; Reproduced: frontispiece
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1928. Reproduced: p. 8 archive.org
    Handbook of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 1928. Reproduced: p. 8 archive.org
    Bayley, Frank W. Five Colonial Artists of New England: Joseph Badger, Joseph Blackburn, John Singleton Copley; Robert Feke, John Smibert. Boston, MA: Privately Printed, 1929. Reproduced: fig. 229
    Bolton, Theodore and Harry Lorin Binsse. "John Singleton Copley." The Antiquarian. 15:6 (December, 1930). Reproduced: p. 80-81
    Stark, Harold. Art in America from 1600 to 1865; An Illustrated Guide for a National Radio Broadcast from February 3 to May 19, 1934. Chicago, IL: University of Chicago Press, 1934. Reproduced: p. 19
    Cahill, Holger, and Alfred H. Barr, Jr., eds. Art in America: A Complete Survey. New York, NY: Reynal & Hitchcock, 1935. Mentioned: p. 17; Reproduced: p. 18
    Milliken, William. "Special Number for the 20th Anniversary Exhibition of the Cleveland Museum of Art: Official Art Exhibit of the Great Lakes Exposition." The Art News. (June 13, 1936). Reproduced: p. 14
    Burroughs, Louise. "John Singleton Copley." Bulletin of the Metropolitan Museum of Art. 31:12 (December 1936). Mentioned: p. 254
    Frankfurter, Alfred M. "J. S. Copley, American Master." Art News. 35:13 (December 26, 1936). Reproduced: p. 12
    Jewell, Edward Alden. "Copley: Metropolitan Opens Bicentennial Show." The New York Times, December 27, 1936. Mentioned: p. 9
    Parker, Barbara Neville, and Anne Bolling Wheeler. John Singleton Copley; American Portraits in Oil, Pastel, and Miniature. Boston, MA: Museum of Fine Arts, 1938. Reproduced: p. 118-9, pl. 61A
    French, Hollis. Jacob Hurd and His Sons Nathaniel & Benjamin: Silversmiths 1702-1781. Cambridge, MA: Riverside Press for the Walpole Society, 1939. Reproduced: frontispiece; Mentioned: pp. 138-40
    Hagen, Oskar. The Birth of the American Tradition in Art. New York: Charles Scribner's Sons, 1940. Reproduced: p. 89; Mentioned: pp. 102-105
    Foote, Helen S. "A Collection of Early American Silver Gift of Hollis French." The Bulletin of the Cleveland Museum of Art. 27:9 (November, 1940). Mentioned: p. 135
    Flint Institute of Arts. Art Marches on!: The Opening and Dedicating Exhibition of the New Flint Institute of Arts. Flint, MI: The Institute, 1941. Reproduced and Mentioned: p. 30, fig. 50
    "Cleveland's First 25 Years." ARTnews. 40:11 (September, 1941). Mentioned: p. 13, 25; Reproduced: p. 13
    Walker, John, and Macgill James. Great American Paintings from Smibert to Bellows, 1729-1924. London: Oxford University Press, 1943. Reproduced: no. 10
    "Cleveland Museum." Life (September 20, 1943). Reproduced: p. 68
    King, Winnifred. "Their Hands." The Christian Science Monitor. November 20, 1943.
    Adams, James Truslow. Album of American History. volume 1. New York, NY: Charles Scribner's Sons, 1944. Reproduced: p. 345
    Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945. Reproduced: p. 12 archive.org
    "The Arts in America in the Eighteenth Century." Bulletin of the Allen Memorial Art Museum, Oberlin College. 3:3 (May, 1946). Mentioned: p. 67, 90, 99; Reproduced: p. 66
    Phillips, John Marshall. American Silver. New York, NY: Chanticleer Press, 1949. Mentioned: p. 82-6; Reproduced: p. 83
    Barker, Virgil. American Painting: History and Interpretation. New York, NY: The Macmillan Company, 1950. Mentioned: p. 144, 147-8; Reproduced: p. 145
    "A bird's-eye view of early American painting." Antiques. 62 (November 1952). Reproduced: p. 402
    Milliken, William Mathewson. The Cleveland Museum of Art. New York: H.N. Abrams, 1958. Mentioned: p. 60
    The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 529 archive.org
    "Portraits of American Craftsmen." Antiques. 76. (October 1959). Reproduced: p. 321
    Larkin, Oliver W. Art and Life in America. New York, NY: Holt, Rinehart and Winston, 1960. Reproduced: pl. 1
    Kindlers Malerei Lexicon. volume 1. Zurich, Switzerland: 1964. Reproduced: p. 776
    Museum of Fine Arts, Saint Petersburg. Inaugural Exhibition, February 7 Through March 7, 1965. Saint Petersburg, FL: 1965.
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 161 archive.org
    Prown, Jules David. John Singleton Copley: In America 1738-1774. Cambridge, MA: Harvard University Press, 1966. Mentioned: p. 52-55; Reproduced: no. 177
    Wright, Louis B., George B. Tatum, John W. McCoubrey, and Robert C. Smith. The Arts In America: The Colonial Period. New York, NY: Charles Scribner's Sons, 1966. Reproduced: p. 204
    Wilson, Patricia Boyd. The Christian Science Monitor. January 19, 1966.
    Myers, Bernard S. Art and Civilization. New York: McGraw-Hill Book Company, 1967. Mentioned: p. 319-320; Reproduced: p. 319
    Cirker, Hayward, and Blanche Cirker. Dictionary of American Portraits: 4045 Pictures of Important Americans from Earliest Times to the Beginning of the Twentieth Century. New York, NY: Dover Publications, Inc., 1967 Reproduced: p. 322
    McLanathan, Richard B. K. The American Tradition in the Arts. New York: Harcourt, Brace & World, 1968. Mentioned: p. 91-2
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 161 archive.org
    Plate, Robert. John Singleton Copley: America's First Great Artist. New York, NY: David McKay Co, 1969. Mentioned: p. 27, 48
    Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience. New York, NY: Praeger Publishers, 1969. Mentioned: p. 24-5; Reproduced: p. 24
    Glubok, Shirley, and Gerard Nook. The Art of Colonial America. New York, NY: The Macmillan Company, 1970. Reproduced: p. 25
    Mooz, Ralph Peter. "The Art of Robert Feke." Ph.D. dissertation, University of Pennsylvania, 1970. Mentioned: p. 177
    Lee, Sherman E. Introduction to The Cleveland Museum of Art. Hannover: Knorr & Hirth, 1970. Mentioned: p. 64; Reproduced: no. 29
    Neumeyer, Alfred. "Nordamerikanische Kunst." Die Kunst des 18. Jahrhunderts. ed. Harald Keller. Berlin: Propylaen Verlag, 1971. Reproduced: p. 431, pl. 68
    Fales, Martha Gandy. Early American Silver. New York: E.P. Dutton & Co, 1973. Mentioned: p. 94, 239, 319
    Adler, Mortimer Jerome, ed. The Revolutionary Years: Britannica's Book of the American Revolution. Chicago, IL: Encyclopedia Britannica, Inc., 1976. Reproduced: p. 245
    Wilmerding, John. American Art. Harmondsworth, England: Penguin Books, 1976. Mentioned: p. 38
    Montgomery, Charles F., and Patricia E. Kane. American Art, 1750-1800: Towards Independence. Boston, MA: Published for Yale University Art Gallery, New Haven, and the Victoria and Albert Museum, London, by the New York Graphic Society, 1976. Reproduced: p. 132
    "American Image." Plain Dealer. Section 5 - 8. (January 18, 1976). Mentioned and Reproduced: Section 5 - 8
    Brown, Milton W. American Art to 1900: Painting, Sculpture, Architecture. New York: H.N. Abrams, 1977. Mentioned: p. 101-2; Reproduced: no. 164, p. 102
    Johnson, Mark M. "Portrait Painting - An Image of Man." Arts and Activities. 82 (September 1977). Mentioned: p. 34; Reproduced: p. 36
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 198 archive.org
    Ward, Barbara McLean, and Gerald W. R. Ward, eds. Silver in American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University. New York: American Federation of Arts, 1979. Mentioned and Reproduced: p. 76
    Boros, Ethel. "Early American Silver." Plain Dealer. (September 22, 1979). Mentioned: p. 34-5; Reproduced: p. 34
    Emlen, Robert P. "Wedding Silver for the Browns: A Rhode Island Family Patronizes a Boston Goldsmith." The American Art Journal. 56:2 (Spring 1984). Reproduced: p. 8
    Janson, H. W. History of Art. Third edition. New York, NY: Prentice Hall & Harry Abrams, 1986. Mentioned: p. 20; Reproduced: p. 21
    Buchanan, Penelope D. "John Singleton Copley: Portrait of Nathaniel Hurd." Art Education. 40:1 (January 1987). Mentioned: p. 27-8; Reproduced: p. 28
    Handbook of The Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991. Reproduced: p. 114
    Turner, Evan H., ed. Object Lessons: Cleveland Creates an Art Museum. Cleveland, OH: Cleveland Museum of Art, 1991. Mentioned: p. 45; Reproduced: p. 46
    Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, OH: Cleveland Museum of Art, 1993. Reproduced: p. 43
    Kissick, John. Art, Context and Criticism. Madison, WI: Brown & Benchmark, 1993. Reproduced: p. 352
    Cunningham, Lawrence S., and John J. Reich. Culture and Values: a Survey of the Western Humanities. Second edition. Fort Worth, IN: Holt, Rinehart, and Winston, 1994. Reproduced: p. 282
    Janson, H. W. History of Art. Fifth edition. New York, NY: Prentice Hall & Harry Abrams, 1995. Reproduced: p. 42, pl. 26
    Barratt, Carrie Rebora. John Singleton Copley in America. New York: Metropolitan Museum of Art, distributed by H.N. Abrams, 1995. Reproduced: p. 209
    Kissick, John. Art, Context and Criticism. Second edition. Madison, WI: Brown & Benchmark, 1996. Reproduced: p. 382
    Kane, Patricia E., Francis Hill Bigelow, John Marshall Phillips, and Jeannine J. Falino. Colonial Massachusetts Silversmiths and Jewelers: A Biographical Dictionary Based on the Notes of Francis Hill Bigelow & John Marshall Phillips. New Haven, CT: Yale University Art Gallery, 1997. Reproduced: p. 615
    Rather, Susan. "Carpenter, Tailor, Shoemaker, Artist: Copley and Portrait Painting around 1770." The Art Bulletin. 79:2 (June 1997). Mentioned: p. 284-5; Reproduced: p. 285
    Ohlig, Rudolf, and Hildegard Hogen. Der Glanz der Residenzen: Renaissance und Barock in Europa, Schwarzafrika und Altamerika. Leipzig: F.A. Brockhaus, 1998. Reproduced: p. 424
    Ward, Gerald W. R. "Nathaniel Hurd." American National Biography, v. 2. ed. Garraty, John A., and Mark C. Carnes. New York, NY: Oxford University Press, 1999. Mentioned; p. 556-7
    Fortune, Brandon Brame, and Deborah Jean Warner. Franklin and His Friends: Portraying the Man of Science in Eighteenth-Century America. Washington, D.C.: Smithsonian National Portrait Gallery, 1999. Reproduced: p. 62, fig. 4-14
    May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001. Reproduced: p. 44
    Kammen, Michael et al. Seeing America: Painting and Sculpture from the Collection of the Memorial Art Gallery of the University of Rochester. Rochester, N.Y.: University of Rochester Press, 2006. Reproduced: p. 22
    Cole, Mark, "Two by Copley", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 46 no. 08, October 2006 Mentioned & reproduced: p. 7 archive.org
    Adams, Henry. What's American about American art?: a gallery tour in the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2008. Reproduced: p. 40 - 41
    Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 44
    Ward, Gerald W. R. Paul Revere: Sons of Liberty Bowl. Boston: MFA Publications, Museum of Fine Arts, Boston, 2016. Reproduced: p. 11
    Rather, Susan. The American School: Artists and Status in the Late-Colonial and Early National Era. New Haven, CT : Yale University Press, 2016. Mentioned & Reproduced: pp. 41-42, fig. 30
    Ripley, Elizabeth. Copley; A Biography. Philadelphia: J. B. Lippincott Company, 1967. Mentioned: p. 24; Reproduced: p. 25
    Corey Phelon Geske, “Theoria to practica and Congregational Independency: From John Singleton Copley's portraiture of ‘Liberty,’ Rev. Jonathan Mayhew identified, to Rev. Lemuel Haynes's Liberty Further Extended, c. 1776,” Granville History Digital Collection, accessed July 18, 2023, Mentioned pp. 49-55; reproduced pp. 50-51. https://granvillehistory.omeka.net/items/show/1531
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  • CMA @ Oberlin - American Portraits. Allen Memorial Art Museum, Oberlin, OH (August 29-December 17, 2006).
    Nathaniel Hurd. Memorial Art Gallery of the University of Rochester, NY (November 22, 1999-April 10, 2000).
    John Singleton Copley's America. Museum of Fine Arts, Boston (June 7-August 27, 1995); The Metropolitan Museum of Art (organizer) (September 26, 1995-January 7, 1996); Museum of Fine Arts, Houston (February 4-April 28, 1996).
    The Face of Liberty. Amon Carter Museum, Fort Worth, TX (organizer) (December 23, 1975-February 8, 1976).
    Cleveland, Cleveland Museum of Art, The Inaugural Exhibition (6 June-20 September, 1916); cat. p. 255.
    Boston, Museum of Fine Arts, Boston, One Hundred Colonial Portraits (19 June-21 September 1930), cat. no. 50.
    Cleveland, Cleveland Museum of Art, Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition (26 June-4 October, 1936), illus. plate II, cat. no. 23, pp. 21-22.
    New York, Metropolitan Museum of Art, An Exhibition of Paintings by John Singleton Copley: In Commemoration of the Two-Hundredth Anniversary of His Birth (22 December, 1936-14 February, 1937), illus. 16.
    Baltimore, Baltimore Museum of Art, Two Hundred Years of American Painting, (15 January-28 February, 1938), no. 2.
    New Haven, Yale University Gallery of Fine Arts, Masterpieces of New England Silver 1650-1800, (18 June-10 September, 1939), ill. no. 224, p. 94.
    Flint, Mich., Flint Institute of Arts, Art Marches On: The Opening and Dedicating Exhibition of the New Flint Institute of Arts (14 November-31 December, 1941), illus no. 53, p. 30.
    Oberlin, Ohio, The Dudley P. Allen Memorial Art Museum, The Arts in the Americas in the Eighteenth Century (1946), cat. no. 1 (see Bulletin of the Allen Memorial Art Museum, Oberlin College, vol. III, no. 3 (May, 1946).
    Dallas, The Dallas Museum of Fine Arts, Survey of American Painting from 1700 to the Present (5 October - 3 November 1946); cat. 200 Years of American Painting.
    Denver, The Denver Art Museum, American Heritage: An Exhibitions of Paintings and Crafts 1770-1790 (7 March-11 April 1948), ill. p. 9.
    Denver, The Denver Art Museum, Portraiture Through the Ages (9 January - 15 February 1950).
    Milwaukee, Milwaukee Art Institute, Silver and American Tradition (13 February - 19 March 1953).
    Houston, Museum of Fine Arts, Houston, George Washington's World (15 January - 14 February 1954), cat. no. 5.
    Boston, Museum of Fine Arts, Boston, Colonial Silversmiths, Masters and Apprentices (13 November - 30 December 1956).
    Jewett Art Center, Wellesley College, Massachusetts, Four Boston Masters (10 April-11 May, 1959), cat. no. 8, repr. p. 25; traveled to Boston, Museum of Fine Arts (19 May - 26 June 1959).
    Cleveland, The Cleveland Museum of Art, Style, Truth and the Portrait (1 October -10 November, 1963), ill. cat. no. 29.
    New York, The Gallery at The Better Living Center, New York World's Fair, Four Centuries of American Masterpieces (22 May-18 October 1964), p. 18, illus. p. 18; (arranged by the Skowhegan School of Painting and Sculpture).
    Washington, DC, National Gallery of Art, John Singleton Copley, 1738-1815 (18 September - 31 October 1965), pp. 45-9, illus. p. 47; traveled to New York, Metropolitan Museum of Art (20 November 1965 - 2 January 1966); traveled to Boston, Museum of Fine Arts (22 January - 6 February 1966).
    Fort Worth, Amon Carter Museum of Western Art, The Face of Liberty: Founders of the United States (23 December 1975 - 8 February 1976), illus. colorplate 16.
    Cleveland, The Cleveland Museum of Art, Silver in American Life (24 June - 16 August 1981); exhibited in gallery but not in catalogue.
    Boston, Museum of Fine Arts, John Singleton Copley in America (7 June - 27 August 1995), traveled to New York, Metropolitan Museum of Art (26 September 1995 - 7 January 1996), traveled to Houston, Museum of Fine Arts (4 February - 28 April 1996), did not travel to Milwaukee, Milwaukee Art Museum; cat. no. 21, p. 57, 93, 119, 208-11, 248, 300, 312.
    Rochester, New York, Memorial Art Gallery of the University of Rochester, ABOUT FACE: Copley's Portrait of Nathaniel Hurd, Colonial Silversmith and Engraver, (1 November 1999-1 March 2000), see Porticus journal.
    John Singleton Copley: A Retrospective Exhibition. National Gallery of Art, Washington, D.C. (organizer) (September 18-October 31, 1965); The Metropolitan Museum of Art, New York, NY (November 20, 1965-January 2, 1966); Museum of Fine Arts, Boston, Boston, MA (January 22-March 6, 1966).
    Four Centuries of American Masterpieces. 1964 New York World's Fair, New York, NY (May 1-October 18, 1964).
    Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963).
    The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).
    The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).
    Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916).
  • {{cite web|title=Nathaniel Hurd|url=false|author=John Singleton Copley|year=c. 1765|access-date=23 March 2024|publisher=Cleveland Museum of Art}}

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https://www.clevelandart.org/art/1915.534