The Cleveland Museum of Art
Collection Online as of April 18, 2024
Calvary with a Carthusian Monk
1389–1395
(French, c. 1335–1396)
Framed: 63.5 x 52.5 x 6.7 cm (25 x 20 11/16 x 2 5/8 in.); Unframed: 56.6 x 45.7 cm (22 5/16 x 18 in.)
Leonard C. Hanna, Jr. Fund 1964.454
Location: 109 Gothic Painting and Sculpture
Did You Know?
Records exist detailing the delivery of the this panel and 25 others to the monastery Chartreuse de Champmol, for use in the monks' cells.Description
Jean de Beaumetz became the official court painter to the Burgundian duke, Philip the Bold, in 1376. Between 1389 and 1395 he created devotional paintings for the monks’ cells at the Chartreuse de Champmol, the monastery founded by Philip and his wife Margaret to house the ducal tombs. This panel, originally one of 26, is only one of two that have survived; the second is preserved in the Louvre in Paris. The Carthusians were intensely devoted to the Passion of Christ; particularly bloody images of the Crucifixion often decorated their cells. Isolated from one another, the monks contemplated the sacrifice of Christ (emphasized here by the presence of a Carthusian monk at the foot of the cross) creating an empathetic connection with the suffering of the Virgin who faints in the arms of the two Marys. Saint John the Evangelist, on the right, bows his head in sorrow. The punched decoration in the gold background represents the Trees of Life and Knowledge, emphasizing the biblical connection between Adam and Christ.- Private collection, France-1964Wildenstein & Co., New York, NY, sold to the Cleveland Museum of Art1964-The Cleveland Museum of Art, Cleveland, OH
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I: pp. 100, 279, 280, 293; II, fig. 831The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 62 archive.orgBiałostocki, Jan. Spätmittelalter und beginnende Neuzeit. Berlin: Propyläen Verlag, 1972. p. 188Cleveland Museum of Art. European Paintings Before 1500. Cleveland: The Museum, 1974. . pp. 12-15, no. 5, gig. 5De Winter, Patrick M. The Patronage of Philippe Le Hardi, Duke of Burgundy, 1364-1404. 1976. p .986, no. 119.The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 71 archive.orgBelting, Hans. Das Bild und sein Publikum im Mittelalter: Form und Funktion früher Bildtafeln der Passion. Berlin: Mann, 1981. p. 98, repr. abb. 28, p. 97Penny Howell Jolly, "Rogier van der Weyden's Escorial and Philadelphia Crucifixions and their relation to Fra Angelico at San Marco," Oud Holland 95 (1981). no. 3, p. 125, footnote 34Veca, Alberto. Parádeisos: dall'universo del fiore. Bergamo: Galleria Lorenzelli, 1982. pl. 34, p. 39.Eörsi, Anna. International Gothic Style in Painting. Budapest: Corvina Kiadó, 1984. pl. 1Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. New York: Abrams, 1985. p. 69, repr. fig. 65Carl Brandon Strehlke, "Three Notes on the Sienese Quattrocento, Gazette des Beaux-Arts, (December 1989). p. 277.Belting, Hans. The image and its public in the Middle Ages: form and function of early paintings of the Passion. New Rochelle, N.Y.: A.D. Caratzas, 1990. p. 59, fig. 28Ridderbos, Bernhard. De melancholie van de kunstenaar: Hugo van der Goes en de oudnederlandse schilderkunst. 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Berlin: Akademie Verlag, 2002. p. 462, no 103Fliegel, Stephen N., Sophie Jugie, and Virginie Barthélémy. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419 : Musée Des Beaux-Arts De Dijon, May 28-September 15, 2004, the Cleveland Museum of Art, October 24, 2004-January 9, 2005. [Dijon]: Musée des beaux-arts, 2004. exh.cat.no. 71, p.202, repr.p.200Fliegel, Stephen. "Patronage and the Burgundian Court, 1364-1419" The Magazine Antiques (October 2004). p. 142-151, repr. p. 147, pl. VIISnyder, James, Larry Silver, and Henry Luttikhuizen. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. Upper Saddle River, NJ: Prentice Hall, 2005. p. 50, no 2.47Cleveland Museum of Art, and Holger A. Klein. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2007.Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. The Cleveland Museum of Art: Meisterwerke von 300 bis 1550. München: Hirmer, 2007.Brantley, Jessica. Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England. Chicago: University of Chicago Press, 2007. p.66, fig. 2.10Lindquist, Sherry C. M. Agency, Visuality and Society at the Chartreuse De Champmol. Aldershot, England: Ashgate, 2008. pl. XJugie, Sophie, and Mark Polizzotti. The Mourners: Tomb Sculptures from the Court of Burgundy. Dallas [Tex.]: FRAME/French/Regional/American Museum Exchange, 2010.Cleveland Museum of Art, David Franklin, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2012. pp. 126-7Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 271Kemperdick, Stephan. "Letters: Johan Maelwael." The Burlington Magazine 160, no. 1381 (Apr. 2018). 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- Turn of Eras: Hildesheim as a European Center around 1400. Dom-Museum Hildesheim, Hildesheim, Germany (organizer) (September 26, 2019-February 2, 2020).Johan Maelwael from Guelders. Rijksmuseum, Amsterdam, Netherlands (organizer) (October 6, 2017-January 7, 2018).Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).Dukes and Angels: Art from the Court of Burgundy (1364-1419). Musée des Beaux-Arts, Dijon, Dijon, France (May 27-September 15, 2004); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24, 2004-January 9, 2005).Treasures of Medieval France. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1966-January 29, 1967).Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966).Palais des Ducs de Bourgogne, La Chartreuse de Champmol, Musee de Dijon, France (1960).
- {{cite web|title=Calvary with a Carthusian Monk|url=false|author=Jean de Beaumetz|year=1389–1395|access-date=18 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1964.454