The Cleveland Museum of Art
Collection Online as of March 29, 2024
Standing Buddha
c. 900
Overall: 98.1 cm (38 5/8 in.); Base: 28.2 cm (11 1/8 in.)
John L. Severance Fund 1966.30
Location: 237 Himalayan
Did You Know?
He grasps the end of his robe in his left hand.Description
The Tibetan inscription on the pedestal identifies the owner of this stunning image as Nagaraja, a royal monk from western Tibet who was instrumental in revitalizing Buddhism in this region. Sculptures like this were the stylistic source for subsequent artistic traditions in western Tibet. The wear on the sculpture's face indicates that it was actively worshipped in Kashmir for some time before it was brought to Tibet.The slender athletic form of the body is clearly revealed. Vestiges of pleat lines that can be traced to the toga-like robes of Greco-Roman figurines—brought centuries earlier to the Indus River region—appear like stylized waves over the torso. The areas of articulation along the borders and hems convey a sense of energy emitting from the figure. His expression is serene, with silver and copper used to animate the face. His upraised right hand indicates that his teachings lead to the freedom from all fear.
- ?–1966(J.J. Klejman [1906–1995], New York, NY, sold to the Cleveland Museum of Art)1966–The Cleveland Museum of Art, Cleveland, OH
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Los Angeles, CA: Los Angeles County Museum of Art, 1984. Mentioned and Reproduced: cat. no. 114, pp. 230-231Harle, J. C. The Art and Architecture of the Indian Subcontinent. Harmondsworth, Middlesex, England: Penguin Books, 1987. Reproduced: fig. 196, p. 194Pal, Pratapaditya. A Pot-Pourri of Indian Art. Bombay: Marg Publications, 1988. Mentioned and Reproduced: p. 87, fig. 10Czuma, Stanislaw. "A Unique Addition to the School of Kashmiri Ivories." The Bulletin of the Cleveland Museum of Art 75, no. 8 (1988): 298-319. Mentioned and Reproduced: p. 310, fig. 19 www.jstor.orgRhie, Marylin M., and Robert A. F. Thurman. Wisdom and Compassion: The Sacred Art of Tibet. London: Thames and Hudson, 1991. Mentioned and Reproduced: fig. 4, p. 42Stanislaw J. Czuma, “Some Tibetan and Tibet-Related Acquisitions of the Cleveland Museum of Art”, Oriental Art (Winter 1992/93) vol 38:4. Reproduced: p. 240Fussman, Gérard. “Chilas, Hatun et les Bronzes Buddhiques du Cachemere.” pp. 1-60. 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Source URL:
https://www.clevelandart.org/art/1966.30